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#Ilayaraja nothing but wind tv#
He learned Western classical from Dhanraj Master and Carnatic from TV Gopalakrishnan. Ilayaraja apprenticed with Salil Chowdhury, G Devarajan, Dakshinamurthy, MS Viswanathan, GK Venkatesh, V Kumar and others. The second phase started when he was 18 years old and he came seeking opportunities in the film industry to Chennai. This started when he was 14 years old and involved helping his brother make rousing anthems heralding the coming revolution and melancholic numbers lamenting the fate of the oppressed. His first phase was with his brother, the bard of leftist ideology in Tamil Nadu, Pavalar Varadarajan. Each of the heights he touched and the experiences he acquired can fill any other human’s entire life.Īt first self-taught, Ilayaraja learned Western and Carnatic music with their nuances formally. Just like Rajinikanth, Ilayaraja was born in a corner of the world, went through an arduous, challenging journey before bursting on to the scene as a well-trained and honed artist. In his musical life, Ilayaraja has had many ups and downs. Will Part 2 echo that evolution? Or will it break completely new ground? Or will it be a throwback to the early Ilayaraja. The maestro’s musical journey in the intervening years has taken him to various musical places.
#Ilayaraja nothing but wind how to#
So, when Ilayaraja announced there would be a How To Name It – Part 2, many were wondering what it would be like. Ilayaraja introduced the genre for the popular audience some 35 years ago. Everyone and their pet are doing it on YouTube. Today, such Carnatic-based fusion is common. The Album How To Name It was one such Ilayaraja musical product. It breezes in through the ear and stays in our mind forever. Ilayaraja’s music has that quality of simplicity. He pointed out that we’re not making use of our own instruments like Pullanguzhal, Nathaswaram and Veenai.Īctress Rohini and RJ Bosskey played the perfect hosts for the evening and the audience was mesmerised by the music of the maestro as singers enthralled them with the evergreen melodies of the great musician.Sometimes, it takes much effort and skill to produce the simplest of things. “I had composed six songs for the album (Nothing But Wind) but due to the one hour duration I could use only five songs. “It took half an hour for me to write notes for one piece,” said Ilayaraja and added that every time you listen to music it should sound new. The maestro praised the performance by Prabhakaran and the orchestra and talked about his admiration for the great flautist Hariprasad. “He doesn’t blow his own trumpet and is a very humble person,” said Vaali. Lyricist Vaali said he had written 4000 songs for Ilayaraja. “It took seven days for Hariprasad to record the music but it could have taken only a few minutes for Ilayaraja to write the notes,” said Uttam Singh. Later, praising the music composer, Uttam Singh recalled his association with Ilayaraja and how he had asked him whether flautist Hariprasad Chaurasia could play any notes for his album Nothing But Wind. The evening started off with singer Bhavatharini singingĪnd was followed by the five tracks from the album Nothing But Wind. The maestro enjoyed the evening listening to his tracks with his friend Uttam Singh and lyricist Vaali. Nothing But Wind is the second non-film album released in 1988. Organised by Ilayaraja’s daughter Bhavatharini, the event gave a rare opportunity for the maestro’s fans to listen to his five tracks 'Singing Self', 'Mozart I Love You', 'Song of Soul', 'Composer’s Breath' and 'Nothing But Wind'. This friendly-fight happened at Nothing But Wind, a live recital of the Maestro, by Prabhakaran, a violinist with Ilayaraja for more than 30 years and flautist Navin Iyer at the Music Academy on Saturday evening. Though Ilayaraja’s down-to-earth nature restrained him from accepting his greatness, Uttam Singh soon started a friendly-fight with the maestro and said that he had to accept his genius.